Painting done on 7 October 2020.
Once again I used the “wet-on-wet” technique.
Depicting an image of the quiet lifestyle so many people long for … a quiet wooded lake and nearby an old cabin with a solitary access road…
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Painting done on 20 June 2020.
Wet on wet – almost impasto ….
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Painting done on 15 June 2020.
Once again I used the “wet-on-wet” technique.
Depicting the quiet lakeside lifestyle so many people long for … a quiet mountain lake and a nearby cabin overlooking a distant mountain…
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Painting done on 7 June 2020.
Once again I used the “wet-on-wet” technique.
Monument Valley is a region of the Colorado Plateau characterized by a cluster of vast sandstone buttes, the largest reaching 1,000 ft (300 m) above the valley … these are iconic symbols of the American West, is the sacred heart of the Navajo Nation and the ideal setting for your next adventure or road trip through parts of the USA …
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Painting done on 30 May 2020.
Once again I used the “wet-on-wet” technique.
Depicting the quiet serene stream with some field flowers and a few pine trees with a majestic mountain in the distance. The type of place I could easily sit & enjoy a cup of real brewed coffee while I soak up the quietness of the moment…
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Painting done on 24 May 2020.
Once again I used the “wet-on-wet” technique.
Depicting the quiet country lifestyle so many people long for … a foot path running out past some Silver Birch trees and a nearby cabin overlooking distant mountain range…
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Painting done on 9 May 2020.
Once again I used the “wet-on-wet” technique.
Depicting the quiet country lifestyle so many people long for … a dirt road running out past some Silver Birch trees and a nearby cabin overlooking distant hills…
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Painting done on 10 April 2020.
Once again I used the “wet-on-wet: technique.
The painting was done as a commission I received from a customer.
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Painting done on 2 April 2020.
Once again I used the “wet-on-wet: technique.
The painting was done as a test run for a much larger commission I received from a customer..
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Painting done on 19 January 2020.
Once again I used the “wet-on-wet: technique propagated by Bill Alexander and Bob Ross at the end of the previous millennium. The painting was done without any reference to any specific place … and purely completed from the heart.
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